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The Soul Of Hindustan
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Those Haunting Melodies
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NO ONE KILLED PALAN
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NO LIMITS
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101 CHEERS FOR INDIA’S REVERED GLOBAL ICON
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Tum kya History Parathe ho?
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Finding Ganga
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MERE PAAS MAA - SORRY, MOM HAI!!
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BENGALI MAESTROS ON THE FAMOUS 4!
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DO THE RIGHT THING
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DO THE RIGHT THING
Khalid Mohamed in conversation with Anil Kapoor on his evolution as an actor, who’s at the peak of his career today. In a way, we started our individual careers around ...
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TOUCH OF JOY: JOY BIMAL ROY
I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy’s childhood memory and as an ...
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Shishir Sharma: The Gentleman Actor!
Aparajita Krishna goes on a long walk on the cobbled path of art, theatre and acting with actor Shishir Sharma, whose repertoire is vast. To the contemporary viewers of India...
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Making Fraaandship with Nupur Asthana
Aparajita Krishna explores love, relationships, friendships, feminism and more in the interview with writer, director Nupur Asthana who’s been setting benchmarks for wom...
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That Mughal Touch
Film historian Dhruv Somani, catches up with Akbar Khan, for a conversation about the actor-producer-director’s yesterdays and todays. He may have been out of sight but...
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RUCHI NARAIN: On a creative roller-coaster ride!
Aparajita Krishna visits filmmaker Ruchi Narain’s world this time – a 360 degree roller coaster ride. Enjoy it! Ruchi Narain has been in the film and c...
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Vijay Akela: Bol Rahe!
Aparajita Krishna discusses voice and lyrics with poet-lyricist Vijay Akela - a unique conversation about poetry, vocabulary and the art form of conveying emotion through...
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ACTOR with a CAUSE
Khalid Mohamed’s heartspeak with Atul Kulkarni, the actor of substance and spleen, who has lately been making waves with his performances in A Thursday and Rudra. At th...
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Manasi Rachh: In the Spotlight
Aparajita Krishna traces actor, model Manasi Rachh’s interesting journey across theatre, films and now web-series. Manasi Rachh on her petite frame carries a very photo...
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