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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL
My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...
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THOUGHT FACTORY: 30 YEARS OF DDLJ & STILL RUNNING
From Eurorail to Sarson Ke Khet: An Ethnography of DDLJ’s Everlasting Romance with India by Yashika Begwani, explores wh...
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MOVIES: SUCH A FALL FROM GRACE
Khalid Mohamed, once a cheerleader of Mani Ratnam, is taken aback with Thug Life, the auteur’s fall from grace. “M...
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ALTERNATIVE ENTERTAINMENT: THE MUSICALITY OF NARRATIVE FILM
"Exploring the harmony between emotions and cinema, where musicality takes precedence over craftsmanship, transforming films into authentic, he...
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BOLLYWOOD: SHAH RUKH KHAN’S STORYTELLING DILEMMA
Exploring Shah Rukh Khan's film trajectory, from his anti-hero edge to pandering to the male gaze, questioning the ethical lines blurred in Bol...
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FESTIVALS: BEST FILMS FROM SOUTH ASIA ONLINE NOW!
The 13th edition of South Asian Film Festival Montreal is online now. The online festival started on 27th May 2024 and wi...
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ACHIEVING CULT STATUS: MASSEY SAHIB
O.P. Srivastav brings Raghubir Yadav and Arundhati Roy's celebrated debut Massey Sahib, a 1985 Hindi drama, adaptation of Joyc...
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GAIETY-GALAXY: & THE BLACK MARKET
Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...
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ARUNDHATI GANORKAR: IN BEAUTIFUL REFLECTION!
Aparajita Krishna has a past with Arundhati Ganorkar, they worked on a series, and together, they walk down memory lane to bri...
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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...
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