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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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IFFD 2026 OPENS GLOBAL DIALOGUES

IFFD 2026 - A Festival of Dialogue, Discovery and Global Exchange: With Oliver Laxe’s Sirât opening and S...

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THOUGHT FACTORY: CENSORSHIP, CINEMA, AND THE COST OF CONSCIENCE

A searing conversation between filmmaker Vinta Nanda and journalist Anna MM Vetticad on censorship, complicity, and conscience...

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KALEIDOSCOPE: DISCOVERING MEHAK GOYAL’S POETRY

In an unexpected journey from skepticism to admiration, Shantanu Ray Chaudhuri explores Mehak Goyal’s evocative poetry. ...

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ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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Let's keep the #JungJaari for Equality and Justice - CJP's Human Rights Manifesto for Election 2019

The upcoming general election is critical for human rights in India, given the recent surge of violations of rights that are constitutionally guaranteed for all Indians. Wi...

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Writers of Colour

Women, as a collective, have always faced discrimination through the ages, and women of colour even more so as their stories get subsumed within the larger narratives of wh...

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MOTHERHOOD RETOLD

“I remember it being a curiously bewildering phase. A period when I was beginning to feel excluded from the mainstream activities of my family…but it took me a...

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No Dark Sarcasm In The Classroom

“The task of the modern educator is not to cut down jungles, but to irrigate deserts.”&nb...

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