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POWERFUL PEOPLE: THAT THING CALLED ACTING

Mita Vasisht, whose career has spanned over four decades of film and web series acting, theatre, documentaries, besides being an educator and a...

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TV: TRUTH RISES THROUGH THE DARKNESS

In this review by Monojit Lahiri, a relentless Bengali crime thriller unfolds with raw performances, fearless direction, and a...

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TRENDING: THE VILLAIN INDIA NEVER GOT

On his 83rd birthday, Sharad Raj reflects on the cinematic journey of Amitabh Bachchan — the superstar of the last mille...

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BOLLYWOOD: FAMILIAR STORIES, FADING CINEMATIC IMPACT

Ah, the age-old tale of twin brothers with identical looks but vastly different values meets film ideas that often originate from a simple spar...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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RETROSCOPE: CENTENARY OF A REBEL POET OF CELLULOID

Ranjan Das Gupta marks 100 years of Guru Dutt, the visionary director who blended poetry, pathos, and protest in cinema, trans...

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BOLLYWOOD: MAALIK IS BLOOD, DUST, SWAGGER

Even Earnest Rajkummar Rao Can’t Fully Rescue This Formulaic Gangster Drama. Pulkit’s Maalik is a gritty,...

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GENDER: ALL ABOUT THE PATRIARCHAL PUSHBACK

A double-edged narrative: how the Sonam-Raja murder and Deepika Padukone's casting row reveal media bias, caste patriarchy, and the urgent need...

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BOLLYWOOD: LET HEROINES BE FUNNY, TOO

Comedy Roles for Bollywood Heroines? Kya Joke Mara!! Monojit Lahiri wonders why good, solid comic roles are not writt...

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