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OSCARS RETURN INDIA ENTRY EMPTY-HANDED AGAIN HOME

India’s 2026 Oscar hopes fade again as its official entry returns home, sparking debate on quality, global positioning, marketing muscle ...

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THOUGHT FACTORY: WHEN INSTITUTIONS FAIL, ART SUFFERS

When cultural institutions compromise artistic integrity due to bureaucratic interference, creative expression weakens, and a nation's cultural...

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BOLLYWOOD: SHAH RUKH KHAN’S STORYTELLING DILEMMA

Exploring Shah Rukh Khan's film trajectory, from his anti-hero edge to pandering to the male gaze, questioning the ethical lines blurred in Bol...

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FESTIVALS: IMMORTALISING BIMAL ROY’S CINEMATIC LEGACY

Rinki Roy Bhattacharya discusses the inspiration behind the Bimal Roy Award, the challenges of preserving her father’s l...

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FESTIVALS: THE KHUSHWANT SINGH LITERARY FESTIVAL OF KASAULI

I had a conversation with Rahul Singh, to know the significance of the Khushwant Singh Literary Festival, writes Vinta Nanda. ...

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TRENDING: THE GRANDEUR AND INEQUALITIES

The Ambani wedding, a symbol of India's wealth disparity, has ignited a heated debate on social media. While its opulence has captivated millio...

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FESTIVALS: ZAIKAK IN SEARCH OF THE BEST MAHARASHTRIAN THALI

“I think it would be impossible to search for the best Maharashtrian Thali in Pune because Thalis are culture or ‘sanskriti‘ ...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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THE BEST MALE ACTORS OF 2023: DEEPAK QAZIR

An actor having worked in the current year is insignificant when selecting the best among them, because cinematic appreciation transcends time, writes Deepak Qazir....

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Decolonizing The Caste Question

Vanshika Bhagat discusses the present status of Dalit converts to Islam and Christianity vis-a-vis reservation, which endeavor...

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