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THERE’S NO IF…ONLY BHATT!

As 78-year-old veteran filmmaker, producer and writer Mahesh Bhatt called time and dialled out of the director's space, Monojit Lahiri&...

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GANDHARI REVIEW: MISSES MARK BY MILES

In this review, Saibal Chatterjee finds Devashish Makhija’s Gandhari an ambitious but deeply flawed thriller, where Taap...

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STUDENT CITY SEASON TWO BEGINS

Dr. Piyush Roy’s Student City returns with Season 2, following Avi and Rahul through friendship, loneliness, campus life...

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MOTHERS, RESISTANCE AND COURAGE

Sharad Raj examines Sabiha Khanum and Leela Bora, two mothers whose compassion, dignity and courage reveal how motherhood can transcend...

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MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT

Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing...

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CHASING SHADOWS IN A LOVELESS WORLD

Brij Bhushan, journalist and author, reviews Khalid Mohamed's Not Quite Family: An Intimate Memoir of Bollywood. Recently publ...

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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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WHY MOTHERS ECLIPSE FATHERS DAILY

Monojit Lahiri explores why Mother’s Day commands greater emotional resonance than Father’s Day, exam...

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HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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VANISHING BOMBAY: DREAMS & DEMOLITIONS

In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...

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