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TRENDING: TIMELESS LIGHT AND LIVING MEMORIES

At Piramal Gallery, NCPA, I revisited Bombay’s cultural past through the lens of twin photographers Debolina Mazumdar and Monobina Roy &m...

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BOLLYWOOD: WHEN HISTORY MEETS HISTRIONICS

Using violence, it feeds into the stereotype, The Bengal Files weaponizes memory and history, turning past wounds into present propaganda, ampl...

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RETROSCOPE: FORGOTTEN WOMEN OF HINDI CINEMA

Those forgotten B-grade movie divas of yesteryear: Khalid Mohamed recalls Indira ‘Billi’, Chitra and Naqi Jehan, j...

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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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THOUGHT FACTORY: STORIES DIVIDE, YET ALSO UNITE

In a media landscape divided by class and culture, two Indian shows—The Royals and Thukra Ke Mera Pyaar—reveal ho...

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MOVIES: AAMAR BOSS WEARS MANY MASKS

A bittersweet tale of family, loneliness, and emotional overdrive, Amaar Boss blends sentiment with slapstick, raising valid questions while slipping often into me...

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FESTIVALS: WINNER OF THE KASHISH 2025 POSTER DESIGN

Auroville-based designer wins KASHISH 2025 poster contest as South Asia’s biggest LGBTQIA+ film festival prepares for a vibrant celebrati...

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POLITICS: PEACE DEMANDS MORE THAN PROGRESS

Despite global advancement and innovation, persistent political power struggles and inequality continue to fuel violence and fear. The Pahalgam...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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TRENDING: REFLECTIONS ON A TRANSFORMATIVE YEAR

Exploring 2024's defining moments—intersections of politics, culture, and societal evolution—as captured by The Daily Eye’s c...

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