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BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...

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THE SURPLUS ROOM CHRONICLES

Shrishti Shree revisits a disturbing chapter in Mumbai’s newspaper industry, where journalists were isolated, silenced, ...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE

An intimate evening at Seagull Studio where Ashish Vidyarthi transforms personal memory into performance, revealing the power of storytelling, ...

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THOUGHT FACTORY: A SILENCE THAT SHOUTS

An incisive reflection by Sohaila Kapur on speech and silence, moving from personal memory to cultural critique, revealing how...

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ALTERNATIVE ENTERTAINMENT: OF THAT HUMAN FACTOR

Currently, the boom in Artificial Intelligence has been viewed with mounting dread or embraced warmly as a technological revolution in image-ma...

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TELEVISION: WHISPERS OF THE WHITE DESERT

This fifth and final chapter of Surabhi Diaries by Suhail Tatari captures Kutch in all its raw beauty—its culture, its c...

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POWERFUL PEOPLE: THAT THING CALLED ACTING

Mita Vasisht, whose career has spanned over four decades of film and web series acting, theatre, documentaries, besides being an educator and a...

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BOLLYWOOD: A BATTLE REMEMBERED FOREVER

A solemn and compelling tribute to courage, sacrifice, and national memory, reviewed by Arnab Banerjee, this film analysis exa...

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