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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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INDIAN CINEMA CONQUERS GLOBAL STAGE

From Berlinale to BAFTA: How India’s Cinema Took the World Stage from The Daily Eye #Newsdesk

KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE

Mumbai’s iconic Kala Ghoda Arts Festival returns for its 26th edition, transforming public spaces into ...

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BOLLYWOOD: MEMORY, MEANING AND THE MOVING IMAGE

A year-end reflection on Hindi cinema through The Daily Eye’s seasoned critics—where nostalgia met urgency, specta...

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BOLLYWOOD: A BATTLE REMEMBERED FOREVER

A solemn and compelling tribute to courage, sacrifice, and national memory, reviewed by Arnab Banerjee, this film analysis exa...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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POWERFUL PEOPLE: PREITY ZINTA ON DOING IT HER OWN WAY

Khalid Mohamed’s throwback to a conversation with the iron-willed Preity Zinta, who’s set to return to the movies ...

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THOUGHT FACTORY: ONCE UPON A TIMELESS TALE

Fifty years after its release, Sholay continues to resonate across generations. A timeless saga of friendship, vengeance, and morality...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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BOLLYWOOD: SOME STORIES STAY BURIED

Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...

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