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WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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GUJARATI THEATRE PASSION AND PERFORMANCE

Actor Leena Shah reflects on her enduring journey through Gujarati theatre, sharing insights into performance, resilience, travel, and the emot...

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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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IFFD 2026 OPENS GLOBAL DIALOGUES

IFFD 2026 - A Festival of Dialogue, Discovery and Global Exchange: With Oliver Laxe’s Sirât opening and S...

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DELHI FESTIVAL CHAMPIONS INDEPENDENT CINEMA

The International Film Festival of Delhi 2026 launches a dynamic platform uniting mainstream and independent cinema, featuring WIFF Mumbai coll...

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MOTHER DAUGHTER BOND AND CHANGING DYNAMICS

Today’s Ma–Beti Relationship…Has Buddyhood Replaced Mamta?! Can a mother ever be her daughter’s best friend? M...

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THE CURIOUS CASE OF PRIYADARSHAN

He’s back in the news. After a prolonged hiatus, the essentially South Indian filmmaker is returning to the arena of Bollywood cinema, wi...

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HEINER GOEBBELS’ ORACLE MACHINE MUMBAI

At Great Eastern Mills in Mumbai, German composer and artist Heiner Goebbels unveiled The Oracle Machine, a mesmerizing installation of light, ...

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FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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