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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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THOUGHT FACTORY: A CLOSE ENCOUNTER WITH BELA BHATIA

Championing justice, Bela Bhatia’s inspiring work in conflict zones, and her book India’s Forgotten Country: A View From the Ma...

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GENDER: A DEAFENING SILENCE IN THE POLITICIZED DISCOURSE

It’s time to look at the deep-rooted issues surrounding rape culture in India, from the persistence of patriarchy and media complicity to...

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THOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION

Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...

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‘JADUNAMA’ - A RAY OF LIGHT IN IMMENSE DARKNESS

Humra  Quraishi comments on the truth lurking behind green curtains in the capital city especially decked up for the G20 ...

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THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

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TIMES THEY ARE A CHANGIN’ – FOR DOCUMENTARY FILMS

Vinta Nanda talks to documentary filmmakers, film festival directors, curators about the documentary films garnering more audi...

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A CONVERSATION OF PEACE AND HARMONY

Here, Vinta Nanda tells the story of Shabnam Hashmi, one among the millions of people who have, over the last 75 years, built a secular, democr...

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#SHOUT UNTIL YOU’RE HEARD

The newsdesk at The Daily Eye reports on the preview of the film #SHOUT, hosted by Population First and supported by...

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