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PRABHAKAR KOLTE’S ABSTRACT ART PHILOSOPHY

At Chemould Prescott Road, Prof. Dr. Avinash Kolhe examines Prabhakar Kolte’s Asymmetrical Synthesis, exploring abstract...

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RAGHU RAI'S PHILOSOPHY OF SEEING

Utpal Datta reviews Raghu Rai: Hearing Through the Eyes, revealing the legendary photographer's creative philosophy, artistic ...

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OF SHARED DESTINIES AND FRACTURED BONDS

Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home...

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NOW STEPPING INTO HISTORY

Khalid Mohamed’s conversations with actor-turned-director Riteish Deshmukh over time, with an update on his most ambitio...

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A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine opportunities, challenges, and the evo...

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ALTERNATIVE ENTERTAINMENT: DISCOVERING JEWELS AMONG THE JUNKPILE

Exhausted by the excessive violence, toxic masculinity and crass comedies of pan-Asian and global cinema, Khalid Mohamed share...

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KALEIDOSCOPE: SACRED JOURNEY BEYOND HIMALAYAN VEILS

Anu Malhotra’s Shamans of the Himalayas immerses readers in rare shamanic traditions, documenting mystical rituals through vivid storytel...

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MOVIES: DEATH BY DESIGN, BUT NOT QUITE

Inspired by a global star’s interview, Srijit Mukherji’s sequel to Hemlock Society teems with puns, pop culture, and philo...

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RETROSPECTIVE: “ORIDAM” @20 IS A PORTRAIT OF PAIN

A poignant exploration of a sex worker’s struggles, Pradeep Nair’s Oridam challenges conventional portrayals of female sexuality, o...

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KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

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