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ALTERNATIVE ENTERTAINMENT: THE FILMMAKER, THE ETERNAL SEEKER

As it completes a 50-day run, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s Padatik and how it stands out in the bar...

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POLITICS: INJUSTICES AND MISINFORMATION

Humra Quraishi comments on the troubling times lying ahead because accountability and transparency usually practiced by author...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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HYPOCRISY AND DOUBLE STANDARDS ARE DESTRUCTIVE

Humra Quraishi elaborates on the double standards of the right-wing government in India, and warns that what is taught in scho...

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WHICH ROAD SHALL WE TAKE…IT IS THAT TIME AGAIN

We are going through difficult times, where the voice of academics is being stifled and snuffed, writes Humra Quraishi. &...

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A WORLD SCARRED BY BULLETS

I realize that for over five weeks now I’ve commented only about Palestinians and the ground realities of Gaza, writes Humra...

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FROM TOM CRUISE TO AKSHAY KUMAR: HERE’S WHAT THEY DID BEFORE BECOMING STARS

Did you know Marlon Brando worked as a watchman and Sylvester Stallone in a beauty parlour? Monojit Lahiri invites you to have...

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CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28th Ma...

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VANISHING WORDS

Today, Humra Quraishi talks about why she will pray namaz but will not celebrate Eid.

I&r...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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