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MOTHER MYTH MAN CALLED SHAKESPEARE

Yashika Begwani reflects on Hamnet, where Chloé Zhao reimagines Shakespeare through Agnes, the grieving mother, explori...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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INDIAN CINEMA CONQUERS GLOBAL STAGE

From Berlinale to BAFTA: How India’s Cinema Took the World Stage from The Daily Eye #Newsdesk

A TEST OF GLOBAL CONSCIENCE

A global outcry rises as the Taliban formalise domestic violence within law, drawing condemnation from Population Foundation of India and activ...

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ASSI REVIEW: JUSTICE ON TRIAL

A Scathing Indictment of a Society Where Justice Arrives Too Late. Arnab Banerjee reviews Assi, Anubhav Sinha’s searing ...

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SHAKESPEARE MEETS BOLLYWOOD DRAMATIC FUSION

Shakespeare & Bollywood – Rab Ne Bana Di Jodi explores how Bollywood borrows from Shakespeare’s dramatic universe, as ...

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NADIRA BABBAR’S THEATRE LEGACY IN PRINT

Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...

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THAT CLOSE ENCOUNTER WITH FRANCOIS TRUFFAUT

Khalid Mohamed rewinds way back to 1977 to a face-to--face conversation with Francois Truffaut, one of the ma...

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POWER, PRIVILEGE, AND OUR SILENCE

A searing reflection on the Epstein revelations and what they expose about unchecked power, privilege, and the illusion of democracy—ques...

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PARALLEL LIVES BETWEEN THEATRE & CORPORATE WORLDS

In this candid conversation, interviewer Vinta Nanda speaks with Prakash Vaswani about theatre, corporate life, cultural reviv...

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