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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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FILMMAKER PANKAJ BORA ON REALITY

“The reality is always richer than fiction” — says filmmaker Pankaj Bora to Utpal Datta. An...

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FILMMAKER PANKAJ BORA ON REALITY

“The reality is always richer than fiction” — says filmmaker Pankaj Bora to Utpal Datta. An...

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THOUGHT FACTORY: STILL TELLING STORIES, STILL SHUT OUT

While women actors over 40 are reclaiming space on screen, the Indian film industry continues to marginalize women creators—writers, dire...

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TRENDING: KUCH SAPNEY APNE FORGES A RAINBOW TRAIL

This first-ever sequel to an Indian LGBTQ+ film marks a milestone for queer cinema, proving that independent filmmakers can break barriers, ach...

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KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

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THOUGHT FACTORY: SUPERSTARS CAN'T SAVE FAILING FILMS

"Big budgets, bigger stars, and colossal failures—Indian cinema’s crisis lies not in its cast but in sidelined storytellers, as aud...

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FESTIVALS: A MAGICAL CELEBRATION OF ART AND HOPE

An enchanting sundowner hosted by Nisha JamVwal, showcasing Lata Balakrishna’s evocative art, celebrated the power of creativity and hope...

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