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TRENDING: SALUTING KASHMIR’S RULE-BENDING SINGER RAJ BEGUM

Khalid Mohamed in conversation with Danish Renzu on his widely-acclaimed gentle and poetic film Songs of Paradise&nbs...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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THOUGHT FACTORY: A YEAR OF STORIES, SHIFTS, AND SOLIDARITY

"2024: A year of cinematic triumphs, societal challenges, and the unyielding spirit of dissent, reminding us of the power of stories to unite, ...

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FESTIVALS: THREE CINE-ROMANTIC DAYS IN SHIMLA

Check out the 2024 International Film Festival of Shimla: A Journey Through Independent Cinema, Cultural Exchange, and the Majestic Beauty of t...

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MOVIES: HERE’S WHAT RANJAN DAS RECOMMENDS

From Tarantino’s Inglourious Basterds, Kinatay & the Filipino Underbelly, to Justine Triet, Kieslowski and an American-Iranian, check...

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YOU LOVE CINEMA, RANJAN DAS RECOMMENDS

From Bad City to Fair Play, from Another Gem From Darbhanga - Pokhar Ke Dunu Paar to The Cut and Fahad Fasil’s Pachuvum Athbutha Vilakkum...

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THE DIVERSE REALM OF ART HOUSE CINEMA

Characterized by its emphasis on creativity, artistic expression, and unconventional storytelling, Art House Cinema serves as a significant cou...

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BOLLYWOOD TIK-TALK: THERE’S MUCH HAPPENING WITH GHOOMER

It’s raining stars, as the proverbial saying goes, in Bollywood. Especially on streaming channels where, it seems, all the action has shi...

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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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