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THE CURIOUS CASE OF PRIYADARSHAN

He’s back in the news. After a prolonged hiatus, the essentially South Indian filmmaker is returning to the arena of Bollywood cinema, wi...

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DELHI’S GRAND CINEMATIC AMBITION

Delhi government sets the tone for a city-wide celebration of film, culture and film tourism, unveiling a global festival that...

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AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE

The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...

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POWERFUL PEOPLE: THOSE BASIC VISUAL INSTINCTS

Ravi K. Chandran, among the A-list of superstar technicians of Hindi and south Indian language cinema, has excelled in his met...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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BUSINESS: MARKETS, MEANING AND MORAL RECKONINGS

A Year Through The Daily Eye: A sweeping reflection on The Daily Eye’s Business writing in 2025, where ...

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RETROSCOPE: FLASHBACKING WITH....CHAUDVIN KA CHAND!!

Monojit Lahiri met up with the still-gorgeous Waheeda Rehman at her sea-front flat in Bandra’s Bandstand in Mumbai aroun...

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FESTIVALS: THREE DAYS OF UNMISSABLE BRILLIANCE

In its final three days, the Prithvi Theatre Festival surges toward a spectacular finish, offering dance, theatre, storytellin...

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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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TRENDING: THE VILLAIN INDIA NEVER GOT

On his 83rd birthday, Sharad Raj reflects on the cinematic journey of Amitabh Bachchan — the superstar of the last mille...

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