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STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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WOMEN’S NETWORKS DRIVE CAREER SUCCESS

Strong professional networks help women access hidden opportunities, writes Sushmita Chowdhary, accelerate promotions, build m...

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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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CHASING SHADOWS IN A LOVELESS WORLD

Brij Bhushan, journalist and author, reviews Khalid Mohamed's Not Quite Family: An Intimate Memoir of Bollywood. Recently publ...

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WHY MOTHERS ECLIPSE FATHERS DAILY

Monojit Lahiri explores why Mother’s Day commands greater emotional resonance than Father’s Day, exam...

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I LIVE INSIDE THE VISUAL WORLD

Utpal Datta speaks with Sri Lankan filmmaker Nadie Wasalamudaliarachchi about her acclaimed debut feature Pantrum Read More

COCKROACH GENERATION CHALLENGES SILENCE

A viral digital movement inspired by a controversial judicial remark transformed into a youth-led expression of dissent, questioning power, dem...

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PAGE MEETS SCREEN AT WIFF (LIT) MUMBAI

Where Stories Found Their Voice: WIFF LIT Opens Conversations Between Literature and Cinema

WOMEN RESISTING POWER IN INDIA

This Women’s Day, Vinta Nanda looks out for women in India resisting food capitalism, environmental destruction ...

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SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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