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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES

“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...

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KALEIDOSCOPE: BREAKING BARRIERS IN BRAILLE LITERATURE

In the culturally vibrant town of Nagaon, Assam, where art and literature blend with daily life, Anjali Mahanta’s journe...

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FESTIVALS: STORIES FOUND PURPOSE THAT AFTERNOON

On a rain-soaked Mumbai day, WIFF’s Impact Workshop brought together storytellers, changemakers, and filmmakers to explore how films can ...

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GENDER: OF WOUNDS, WINGS, AND WOMEN

A Journey from Silence to Strength: Monojit Lahiri unfolds a moving, real-life story of a student who transcended society&rsqu...

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RETROSCOPE: VIOLATIONS, DEMOLITIONS, PUBLIC OUTRAGE

Humra Quraishi’s reflections on a year of upheaval for minorities, where state actions and identity politics have eroded...

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BOLLYWOOD: SHAH RUKH KHAN’S STORYTELLING DILEMMA

Exploring Shah Rukh Khan's film trajectory, from his anti-hero edge to pandering to the male gaze, questioning the ethical lines blurred in Bol...

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ALTERNATIVE ENTERTAINMENT: THE FILMMAKER, THE ETERNAL SEEKER

As it completes a 50-day run, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s Padatik and how it stands out in the bar...

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FESTIVALS: A JOURNEY FROM MIFF TO GLOBAL FILM FORUMS

From cherished memories at MIFF to engaging discussions with filmmakers across India, Utpal Datta’s journey highlights t...

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KALEIDOSCOPE: FIVE BOOKS YOU MUST READ BY UTPAL DATTA

In my recent reading journey, each of the books here emerged as beacons and illuminating facets of self-discovery and intellectual pilgrimage, ...

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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

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