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Bollywood

DAAYRA CHALLENGES JUSTICE MORALITY

Arnab Banerjee reviews Meghna Gulzar's Daayra, a morally ambitious crime drama where Kareena Kapoor Khan and Prithviraj Sukuma...

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Kaleidoscope

NOT QUITE FAMILY REVIEWED BRILLIANTLY

Sushil Poddar explores Khalid Mohamed’s Not Quite Family, an unflinchingly honest journey through Bollywood’s myth...

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Movies

KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT

Binod Kamble’s film Kastoori begins with a stark scene of cleaning a dirty toilet. Utpal Datta explores its portrait of marginali...

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AI and Tech

MICRO DRAMAS REDEFINE GLOBAL ENTERTAINMENT

India is emerging as the global growth engine for micro dramas and short-form entertainment, with mobile-first audiences, soar...

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Alternative Entertainment

THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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Bollywood

DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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Bollywood

BORROWED LOVE FADES TOO SOON

Film critic Arnab Banerjee examines Ek Din, a Hindi remake of the Thai romantic drama One Day, questioning whether its poignan...

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Alternative Entertainment

SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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Thought Factory

INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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Thought Factory

SHAKESPEARE MEETS BOLLYWOOD DRAMATIC FUSION

Shakespeare & Bollywood – Rab Ne Bana Di Jodi explores how Bollywood borrows from Shakespeare’s dramatic universe, as ...

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