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POLITICS: FLASHBACK TO THE TIMES OF HINDUTVA

The influence of Hindutva politics on democratic and academic institutions in India has raised concerns about the erosion of secularism, threat...

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SHAAN LENDS HIS VOICE TO RANGAYAN’S FILM KUCH SAPNEY APNE

Eminent singer Shaan, who has sung memorable songs like Jab Se Tere Naina (Saawariya), Kuch Toh Hua Hai (Kal Ho Naa Ho), My Dil Goes Hmmm (Sala...

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

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RENAMING AND SHAMING!

Humra Quraishi discusses the weapons of mass ‘distractions’ being used, by the Right-Wing forces, to deflect peopl...

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Sabarmati Ashram: To be or not to be

 

The government is mulling over revamping Sabarmati Ashram; people from various walks of life talk t...

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Mirror, Mirror on the Wall

In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7)...

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Climates: A metaphor for changing human behavior

Since the time of Ataturk, Turkey has been home to westernized intellectuals, writes Sharad Raj ...

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Oh Rajasthan!

A photo-essay by Vatsal  Shah of the former royal state of Rajasthan, where tourists and photographers flocked during the...

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Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.