BORROWED LOVE FADES TOO SOON

Film critic Arnab Banerjee examines Ek Din, a Hindi remake of the Thai romantic drama One Day, questioning whether its poignan...

THOUGHT FACTORY: PREGNANT RECALLS!

Writer Aparajita Krishna weaves memory, cinema, politics, motherhood and moral courage into interlinked recalls, moving from S...

ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME

When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...

THOUGHT FACTORY: WHAT MY MOTHER TAUGHT ME

On Mother's Day, I, Vinta Nanda, reflect on how my mother’s clarity in a chaotic world, exposed the dangers of ...

THOUGHT FACTORY: FROM MAA TUJHE SALAAM TO OPERATION SINDOOR

Invoking the mother as a symbol of national strength must honour all her children—across faiths, castes, and cultures—if Operation ...

POLITICS: SILENCE, A WEAPON AND SHIELD

Dr. Manmohan Singh’s dignified silence inspires integrity, while Bollywood’s silence on farmers’ struggles highlights a troub...

The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

It happened one night: Mohanagar

Shantanu Ray Chaudhuri reviews Mohanagar, the latest offering, from Bangladesh, on the streaming platform Hoichoi

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