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FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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A LAST CALL FOR THE PLANET

In this in-depth conversation with Vinta Nanda, Fr. Kureethadam Joshtrom reflects on ecology as an ethical and spiritu...

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ASSI REVIEW: JUSTICE ON TRIAL

A Scathing Indictment of a Society Where Justice Arrives Too Late. Arnab Banerjee reviews Assi, Anubhav Sinha’s searing ...

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POWER, PRIVILEGE, AND OUR SILENCE

A searing reflection on the Epstein revelations and what they expose about unchecked power, privilege, and the illusion of democracy—ques...

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ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE

From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...

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THOUGHT FACTORY: PREGNANT RECALLS!

Writer Aparajita Krishna weaves memory, cinema, politics, motherhood and moral courage into interlinked recalls, moving from S...

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MOVIES: WHEN MEMORY BECOMES A COMPANION

When Memory Becomes a Companion is Utpal Datta’s meditative reading o...

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POWERFUL PEOPLE: THAT THING CALLED ACTING

Mita Vasisht, whose career has spanned over four decades of film and web series acting, theatre, documentaries, besides being an educator and a...

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