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Festivals

FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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Movies

MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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Thought Factory

THOUGHT FACTORY: STILL TELLING STORIES, STILL SHUT OUT

While women actors over 40 are reclaiming space on screen, the Indian film industry continues to marginalize women creators—writers, dire...

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Bollywood

BOLLYWOOD: WHEN FAME MEETS REAL TALENT

Actors Long to Be Stars. Stars Yearn to Be Actors — Can the Twain Ever Meet?

Monoji...

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Powerful People

POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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Festivals

FESTIVALS: WIFF’S THIRD EVENT UNPACKS ART AND IDENTITY

A resonant celebration of regional cinema and independent voices, WIFF’s May event brought powerful films, urgent conversations, and thou...

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Movies

MOVIES: THE SOULFUL STILLNESS OF PURATAWN

Suman Ghosh’s new film marks the return of Sharmila Tagore to Bengali cinema after a long hiatus. Shantanu Ray Chaudhuri...

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Kaleidoscope

KALEIDOSCOPE: A VAST CINEMATIC LANDSCAPE

Exploring Indian cinema’s unsung gems, Tejas Poonia’s insightful book showcases low-budget films, cultural phenomena, and cinematic...

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Business and Politics

BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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