A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama exploring memory, displacemen...

OF SHARED DESTINIES AND FRACTURED BONDS

Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home...

ANAND HI ANAND: PRESERVING CINEMA LEGACY

Writer and theatre practitioner Sohaila Kapur reflects on the creation and success of Anand Hi Anand, a unique theatr...

STUDENT CITY PART 8

In the concluding chapter of Student City, Prof. Dr. Piyush Roy explores friendship, loneliness, self-discovery, and the unexp...

VANISHING BOMBAY: DREAMS & DEMOLITIONS

In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...

PURSUIT OF TRUTH: KANWALJIT SINGH UNFINISHED

In a reflective conversation with Vinta Nanda, veteran actor Kanwaljit Singh revisits his journey from Saharanpur to FTII, cin...

WHEN HOMECOMING ISN’T A ONE-WAY STREET

Saibal Chatterjee reviews Tribeny Rai's deeply personal and moving debut feature Shape of Momo, a nuanced exploration...

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...