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POWERFUL PEOPLE: BACK TO THE FUTURE

She has been an assistant director, ad filmmaker and a writer-director of out-of-the-box feature films. Ignoring every mandatory obstacle that ...

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ALTERNATIVE ENTERTAINMENT: A REBEL WHO REWROTE CINEMA

Ritwik Ghatak—Jinxed Maverick or Enfant Terrible Of Indian Cinema? In his centenary year, MONOJIT LAHIRI Read More

FESTIVALS: THREE DAYS OF UNMISSABLE BRILLIANCE

In its final three days, the Prithvi Theatre Festival surges toward a spectacular finish, offering dance, theatre, storytellin...

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THOUGHT FACTORY: LEGACY, VISION, ART, AND NATION

This article by filmmaker Sharad Raj celebrates Jawahar Lal Nehru’s 126th birth anniversary by reflecting on Nehru&rsquo...

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POWERFUL PEOPLE: JUST DO IT

In a conversation, Khalid Mohamed draws out the eventful life and film adventures of writer-actor-director Amole Gupte...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME

When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...

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THOUGHT FACTORY: FILMS. AUDIENCES. FILM CRITICS.

India, the world’s largest film-producing nation, thrives on cinema and media, yet its film critics remain undervalued. Monojit Lahiri investigates t...

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ALTERNATIVE ENTERTAINMENT: NO MAN’S LAND

Bimal Roy’s timeless displacement saga screened at Venice: As a new 4K restoration of Bimal Roy’s Do Bigha Zamin is screened at Ven...

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FESTIVALS: FROM BUSAN TO SUNDANCE AND BACK HOME

Indian cinema continues to find new ground on the international stage, as emerging filmmakers and bold regional voices redefine the scope of st...

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