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STUDENT CITY SEASON 2 PART 3: BIKI’S BOHEMIAN RISE

Dr Piyush Roy chronicles Episode 3 of Season 2 of Student City, where Biki’s fearless bohemian charm, shifting loyalties...

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KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT

Binod Kamble’s film Kastoori begins with a stark scene of cleaning a dirty toilet. Utpal Datta explores its portrait of marginali...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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BEGUM BARVE RETURNS WITH BRILLIANCE

Satish Alekar's landmark Marathi classic Begum Barve receives an accomplished revival under Gaurav Kanekar, proving why this groundbre...

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A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama exploring memory, displacemen...

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PURSUIT OF TRUTH: KANWALJIT SINGH UNFINISHED

In a reflective conversation with Vinta Nanda, veteran actor Kanwaljit Singh revisits his journey from Saharanpur to FTII, cin...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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BOLLYWOOD: HAQ AND THE PRICE OF A WOMAN’S VOICE

In 1978, Shah Bano, an elderly Muslim woman from Indore, filed a petition seeking maintenance from her estranged husband—what began as a ...

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RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG

On Jaidev’s birth anniversary which was two days ago, on 3rd August, Shantanu Ray Chaudhuri remembers the uns...

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RETROSCOPE: HIS ENDURING LEGACY IN BENGALI CINEMA

Celebrating the quiet brilliance of Anup Kumar—Bengali cinema’s everyman—on his birth anniversary. A master of nuance, humour...

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