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KALEIDOSCOPE: SHILLONG’S CHERRY BLOSSOM SPECTACLE

Experience the enchanting transformation of Shillong during winter, as delicate cherry blossoms bloom, painting the city in hues of pink and white amidst misty hills and tr...

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BUSINESS: THE BIG DADDY OF THE BIG IDEA!

Monojit Lahiri takes a trip down memory lane to salute Kersey Katrak, the father of India’s creative advertising across ...

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FESTIVALS: ZAIKAK IN SEARCH OF THE BEST MAHARASHTRIAN THALI

“I think it would be impossible to search for the best Maharashtrian Thali in Pune because Thalis are culture or ‘sanskriti‘ ...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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KALEIDOSCOPE: THE MUSICAL MAVERICK BY ASHIS GHATAK

Vinta Nanda talks to Ashis Ranjan Ghatak, biographer of ‘The Musical Maverick: The Authored Biography of Shankar Mahadev...

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MAKE NOTE, EVERYONE’S SUSPECT

Humra Quraishi writes this in the backdrop of last month’s brutal killing and grievou...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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VERSE OF MOSAB ABU TOHA AND HUMAN RIGHTS

Humra Quraishi wants to know why The World Human Rights Day should be observed this year, and questions the intentions of the ...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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