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ANAND HI ANAND: PRESERVING CINEMA LEGACY

Writer and theatre practitioner Sohaila Kapur reflects on the creation and success of Anand Hi Anand, a unique theatr...

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THE STING BEHIND BOLLYWOOD PAPARAZZI

Khalid Mohamed, without being judgmental, reports on the love-hate relationship of the celebrities and the paparazzi – a...

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NOW STEPPING INTO HISTORY

Khalid Mohamed’s conversations with actor-turned-director Riteish Deshmukh over time, with an update on his most ambitio...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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HALF CAULIFLOWER, PIECE OF CAKE

Sharad Raj reflects on everyday encounters in India that reveal deep economic inequality, questioning middle-class complacency...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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STAY ROOTED AND LET STORIES FIND YOU HOME

From Old Delhi memories to Mughal-era storytelling traditions, Paayal Nair’s personal journey finds renewed purpose thro...

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GENDER: CHAI AND LOVE MEET ON STAGE

In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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FESTIVALS: THREE DAYS OF UNMISSABLE BRILLIANCE

In its final three days, the Prithvi Theatre Festival surges toward a spectacular finish, offering dance, theatre, storytellin...

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