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Thought Factory

OH CALCUTTA: MEMORIES OF A VANISHING CITY

Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME

When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: NO MAN’S LAND

Bimal Roy’s timeless displacement saga screened at Venice: As a new 4K restoration of Bimal Roy’s Do Bigha Zamin is screened at Ven...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: A DIP INTO THE RIVER OF FEMALE DESIRE

Writer-director Nidhi Saxena’s second film, Secret of a Mountain Serpent, is an exquisite piece of cinema that blurs the line between the...

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Festivals

FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: FROM THE BY-LANES OF OUR YOUTH

A nostalgic reflection on François Truffaut’s Les Mistons, by Vandana Kumar, tracing cinematic memories,...

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Hollywood

HOLLYWOOD: ARE THE OSCARS OVER-HYPED & OVERRATED??

The Oscars: A Global Spectacle or Overhyped Glam Show? Exploring Hollywood’s Biggest Night Through the Lens of Real Cinema and Showbiz, <...

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Thought Factory

THOUGHT FACTORY: SATYAJIT RAY’S MASTERPIECES RESTORED

Restoring Satyajit Ray’s cinematic gems is more than preserving film; it safeguards history, culture, and artistic vision, ensuring futur...

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Alternative Entertainment

ACHIEVING CULT STATUS: MASSEY SAHIB

O.P. Srivastav brings Raghubir Yadav and Arundhati Roy's celebrated debut Massey Sahib, a 1985 Hindi drama, adaptation of Joyc...

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Alternative Entertainment

UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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