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COURAGE AMID MUMBAI'S DARKEST NIGHT

Arnab Banerjee reviews Bharat Bhagya Vidhata, Manoj Tapadia's gripping account of courage during the 26/11 Mumbai attacks, hig...

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BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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STUDENT CITY PART 5

In Prof Dr Piyush Roy’s Student City Part 5, a volatile night at a Pune B-School disc changes friendships, loyalties and...

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WEST BENGAL’S DEMOCRATIC HOSTAGE CRISIS

Satyabrata Ghosh examines West Bengal’s 2026 Assembly Election, voter deletions, AI-driven electoral discrepancies, Supreme Court observa...

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POWER, PRIVILEGE, AND OUR SILENCE

A searing reflection on the Epstein revelations and what they expose about unchecked power, privilege, and the illusion of democracy—ques...

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THOUGHT FACTORY: BOLLYWOOD GRAPPLES WITH DISABILITY

Portrayal of differently abled in Bollywood: Tokenism? Caricature? Empowerment? There are no easy answers because disability in Bollywood cinem...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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ALTERNATIVE ENTERTAINMENT: OF HUMAN BONDAGE

Through his unflinching lens, GMB Akash documents the unseen struggles of the marginalised — using photography not just to witness suffer...

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POLITICS: PEACE DEMANDS MORE THAN PROGRESS

Despite global advancement and innovation, persistent political power struggles and inequality continue to fuel violence and fear. The Pahalgam...

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KALEIDOSCOPE: PUJA SHAH’S “FOR MY SISTER” BREAKS THE CHAINS OF SILENCE

Puja Shah’s For My Sister explores global issues of trafficking, gender violence, and poverty through the story of twin sisters ...

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