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Kaleidoscope

KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW

Cultures are never frozen in time, they keep moving, keep evolving.
Filmmaker and writer Sharad Raj reflects on Lucknow as a city negotiat...

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Gender

GENDER: CHAI AND LOVE MEET ON STAGE

In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: BÉLA TARR, I STRUGGLE TO NEGOTIATE

In this personal tribute by Sharad Raj, the author reflects on Béla Tarr’s cinematic legacy, his...

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Retroscope

RETROSCOPE: THE FLAME THAT STILL BURNS

When Smita Patil Breathed Her Last On The Midnight Of December 13, 1986, The World Of Cinema In General And Indian Cinema In P...

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Powerful People

POWERFUL PEOPLE: BACK TO THE FUTURE

She has been an assistant director, ad filmmaker and a writer-director of out-of-the-box feature films. Ignoring every mandatory obstacle that ...

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Bollywood

BOLLYWOOD: LOVE, AGE, CHAOS, REPEAT

A witty, uneven yet engaging romantic comedy, De De Pyaar De 2 explores age-gap love with humour, nostalgia, and emotional warmth, del...

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Thought Factory

THOUGHT FACTORY: WHO DESERVES REAL RECOGNITION?

Monojit Lahiri examines the stark contrast between stardom’s glamour and the selfless pursuit of empowerment, questionin...

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Bollywood

BOLLYWOOD: WHEN HISTORY MEETS HISTRIONICS

Using violence, it feeds into the stereotype, The Bengal Files weaponizes memory and history, turning past wounds into present propaganda, ampl...

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Trending

TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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Retroscope

RETROSCOPE: OF MEENA KUMARI & DREAMS OF HOLLYWOOD

Khalid Mohamed’s unpublished conversation with the late Saawan Kumar Tak, who despite his mega-hit movi...

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