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POWERFUL PEOPLE: THAT THING CALLED ACTING

Mita Vasisht, whose career has spanned over four decades of film and web series acting, theatre, documentaries, besides being an educator and a...

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ALTERNATIVE ENTERTAINMENT: ART & TRUTH IN MEMORY

Assamese filmmaker Amardeep Gogoi reflects on Collage, a quietly powerful debut rooted in memory, trauma, and resilie...

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THOUGHT FACTORY: VALIDATION COMES WITH EXPIRY

The Fleeting Follower Game – Featuring “The Substance” & “Nayak” (The Hero) — a cultural reflection on ...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

OMG! DIDNT KNOW IPL IS SUCH A SOUTAN!!

Monojit Lahiri recounts the nightmare of an IPL victim here.

Akash really pursued me - no...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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THE GERSON DACUNHA DIARIES

On the 7th of January, his first death anniversary, we remember Gerson Dacunha through one of his last conversations with Ni...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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BLAZE: THE WALTZ OF GRIEF AND RESILIENCE

In this interview with the authors of the book ‘Blaze’, Nidhi and Sushil Poddar, Shantanu Ray Chaudhuri asks ...

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