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POWERFUL PEOPLE: UNTOLD STORY OF SRIDEVI

Discover the untold story of Sridevi through the lens of Amborish Roychoudhury, where passion for Indian cinema meets research, unveiling a leg...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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POLITICS: INJUSTICES AND MISINFORMATION

Humra Quraishi comments on the troubling times lying ahead because accountability and transparency usually practiced by author...

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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

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THE BEST MALE ACTORS OF 2023: DEEPAK QAZIR

An actor having worked in the current year is insignificant when selecting the best among them, because cinematic appreciation transcends time, writes Deepak Qazir....

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THE ZEN NOT REACHED

Neil Banerjee looks at the Government’s vehicle scrapping policy, odd-even policy to fight pollution in Delhi, and demon...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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BLAZE: THE WALTZ OF GRIEF AND RESILIENCE

In this interview with the authors of the book ‘Blaze’, Nidhi and Sushil Poddar, Shantanu Ray Chaudhuri asks ...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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