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WHEN SAI FOUGHT FOR WRITERS’ RIGHTS

Khalid Mohamed revisits Sai Paranjpye’s battle over Chashme Buddoor, exposing how India’s screenwriters continue s...

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GULZAR’S LEGACY LIVES THROUGH WALKING

Prof Dr Avinash Kolhe chronicles the Gulzar Walk, an evocative literary heritage initiative by Urdu Markaz Rehguzar, celebrati...

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SRIDEVI: BOLLYWOOD’S MOST MAGICAL SUPERSTAR  

On her 63rd Birthday, August 13, Monojit Lahiri traces the life and times of the late super-star Sridevi, whom neither age can...

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WIFF MUMBAI TALKS CHANGING CINEMA

In the run-up to WIFF Mumbai 2026, The Daily Eye brings you the unmissable conversations of 2025—when dialogue became the beating...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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MICRO DRAMAS REDEFINE GLOBAL ENTERTAINMENT

India is emerging as the global growth engine for micro dramas and short-form entertainment, with mobile-first audiences, soar...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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ANAND HI ANAND: PRESERVING CINEMA LEGACY

Writer and theatre practitioner Sohaila Kapur reflects on the creation and success of Anand Hi Anand, a unique theatr...

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BARNALI RAY SHUKLA ON CINEMA, LIFE, POETRY

Writer, filmmaker and poet Barnali Ray Shukla speaks to Vinta Nanda about poetry, independent cinema, Satya, marriage...

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BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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