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FROM COPY LINES TO CROP LINES: ARTI DWARKADAS

Vinta Nanda speaks to Arti Dwarkadas about her journey from advertising to organic farming, her debut book Two Ban...

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PARALLEL LIVES BETWEEN THEATRE & CORPORATE WORLDS

In this candid conversation, interviewer Vinta Nanda speaks with Prakash Vaswani about theatre, corporate life, cultural reviv...

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TWO-CHILD NORM ENDANGERS CHILDREN AND DEMOCRACY

A shocking murder in Maharashtra exposes the dangers of India’s two-child norm, as Population Foundation of Indi...

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ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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FESTIVALS: YEAR-END REFLECTION ON FESTIVALS IN INDIA

A year-end reflection on how festivals became classrooms, archives, shelters and movements—through writings by Utpal Datta, Vinta...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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BUSINESS: MARKETS, MEANING AND MORAL RECKONINGS

A Year Through The Daily Eye: A sweeping reflection on The Daily Eye’s Business writing in 2025, where ...

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