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THE CURIOUS CASE OF PRIYADARSHAN

He’s back in the news. After a prolonged hiatus, the essentially South Indian filmmaker is returning to the arena of Bollywood cinema, wi...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW

Cultures are never frozen in time, they keep moving, keep evolving.
Filmmaker and writer Sharad Raj reflects on Lucknow as a city negotiat...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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BOLLYWOOD: MEMORY, MEANING AND THE MOVING IMAGE

A year-end reflection on Hindi cinema through The Daily Eye’s seasoned critics—where nostalgia met urgency, specta...

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BUSINESS: MARKETS, MEANING AND MORAL RECKONINGS

A Year Through The Daily Eye: A sweeping reflection on The Daily Eye’s Business writing in 2025, where ...

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AI & TECH: AI IS REWRITING EVERYTHING

AI is rapidly reshaping advertising, design, media planning, PR, and entertainment worldwide. As Bollywood cautiously experiments while global ...

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FESTIVALS: CINEMA ENDURES BECAUSE ARTISTS PERSIST

A powerful three-day gathering in New Delhi explored cinema’s endurance against censorship, showcasing suppressed films, bold conversatio...

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FESTIVALS: INDEPENDENT VOICES RISE IN VERSOVA

Waterfront Indie Film Festival Mumbai 2025 celebrated the spirit of independent storytelling with over 100 films, insightful panels, and master...

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