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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: GHATAK, JUNG, BRECHT & PARTITION

In this profound essay, writer and filmmaker Sharad Raj explores how Ritwik Ghatak merged Marxism, Jungian ps...

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Bollywood

BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS

War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: THE HUNT - A HAUNTING MASTERPIECE

SonyLIV’s The Hunt reframes political storytelling with restraint and realism, offering a gripping, almost meditative investigat...

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Bollywood

BOLLYWOOD: STARS ONCE SHINED IN SILENCE

Explore how Bollywood and Hollywood stars of yesteryear maintained mystique in stark contrast to today’s overexposed celebrity culture dr...

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Business and Politics

BUSINESS: ENTERTAINMENT HIJACKS SALES IN ADVILLE

A sharp look at how advertising today prioritizes entertainment over sales, sparking debate on creativity, strategy, and real business impact. ...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: THE GENTLE GENIUS

Cinema, at its purest and most soul-stirring, found a devoted servant in Shaji N. Karun. Khalid Mohamed bids farewell to the g...

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Bollywood

BOLLYWOOD: LET HEROINES BE FUNNY, TOO

Comedy Roles for Bollywood Heroines? Kya Joke Mara!! Monojit Lahiri wonders why good, solid comic roles are not writt...

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Thought Factory

ALTERNATIVE ENTERTAINMENT: GOUTAM GHOSH’S BOLD PRAYER

Goutam Ghosh’s Parikrama redefines progress, blending conscience with craft to expose the human cost of modern development and displaceme...

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Business and Politics

POLITICS: PADMA SHRI, AN ARTIST AND A “SADHVI”

In this poignant reflection, the author, Sharad Raj, contrasts the recognition of iconic artist Prof. Ranbir Singh Bisht with ...

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