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PURSUIT OF TRUTH: KANWALJIT SINGH UNFINISHED

In a reflective conversation with Vinta Nanda, veteran actor Kanwaljit Singh revisits his journey from Saharanpur to FTII, cin...

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DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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BOLLYWOOD LYRICS – FROM A TO...OMG!!

A sharp, nostalgic and provocative exploration of how Hindi film lyrics have evolved from poetic romance to market-driven expression shaped by ...

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GUJARATI THEATRE PASSION AND PERFORMANCE

Actor Leena Shah reflects on her enduring journey through Gujarati theatre, sharing insights into performance, resilience, travel, and the emot...

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ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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ALTERNATIVE ENTERTAINMENT: WHEN TWO WORLDS COLLIDE

OTT has redefined cinema with realism and bold narratives, challenging the dominance of Bollywood and Hollywood's star-driven spectacles by ech...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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POLITICS: SILENCE, A WEAPON AND SHIELD

Dr. Manmohan Singh’s dignified silence inspires integrity, while Bollywood’s silence on farmers’ struggles highlights a troub...

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THOUGHT FACTORY: PATRIARCHY DENIAL AND BLIND SPOTS

Finance Minister Nirmala Sitharaman’s patriarchy denial stresses the need for a shift from hyped nationalism to inclusive patriotism, the...

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