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SHE WHO TOOK INDIAN CINEMA GLOBAL

Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...

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STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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ESCAPING INTO REALITY: KETAKI SHETH

Ketaki Sheth, a renowned image-maker, with four decades of dedication to a wide spectrum of themes and subjects, who is curren...

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FESTIVALS: QUEER STORIES ILLUMINATE NEW PATHWAYS

A reflection on queer filmmaking, festival curation, and representation at WIFF Mumbai 2025 — read this interview of Sridhar Rang...

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THOUGHT FACTORY: CREATION BEGINS WHERE OPINION ENDS

Art is born from surrender, not control. While opinions about art come from privilege and position, creation emerges from vulnerability and courage — it&rsq...

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ALTERNATIVE ENTERTAINMENT: THE VAGARIES OF FATE AND FAITH

Jitank Singh Gurjar’s Vimukt (In Search of the Sky) is a poignant indie that captures rural poverty, faith, and resilience throu...

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TRENDING: BEAUTY LIES IN BOTOX WITHIN

‘To Thine Own Self Be True…’ This famous quote from Shakespeare’s Hamlet has taken on a new meaning today, wi...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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ALTERNATIVE ENTERTAINMENT: ABOUT PSYCHOANALYTIC MOTIFS

 

Devdutt Trivedi critiques David Cronenberg's Crimes of the Future Read More

GENDER: WHY INDIAN MEN AVOID HOUSE WORK??

Mammas boys? Traditional/generational conditioning? Lazy? Mardangani? Monojit Lahiri examination controversial question about ...

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