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The Simran Magic

Khalid Mohamed zooms back in time to share his discussion with Kajol, on her imperishable performance as Simran, with Shah Ruk...

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PG Digging-Bombay Ishtyle!

Aparajita Krishna remembers being a Paying Guest once, she recalls the famous Ganga Vihar through talks with famous residents ...

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Soumitra Chatterjee: A Filmmaker Remembers

In a freewheeling conversation with Anuradha Warrier, critically-acclaimed director Suman Ghosh talks about his forthcoming bo...

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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

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Sabarmati Ashram: To be or not to be

 

The government is mulling over revamping Sabarmati Ashram; people from various walks of life talk t...

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Should fireworks be banned?

The pollution caused by firecrackers this Diwali still hangs in the air and it has made breathing difficult for many. Monarose Sheila P...

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