Curious Case of Libaas

Film historian Dhruv Somani writes on the 1982 film of Gulzar, Libaas, with an outstanding music score by R.D.Burman, which ha...

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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SUNNY SIDE UP

Khalid Mohamed pulls out a rare interview with Sunny Deol to afford a glimpse into the mindspace and acting credo of the usual...

That Daisy Fiasco

Film historian Dhruv Somani flashbacks to the furore, which erupted over Sharmila Tagore’s Malayalam film (1979). Dubbed...

Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

Who killed Ehsan Jafri?

Humra Quraishi recalls her memory of the Gujarat riots 2002, and asks how it can be said the survivors demanding justice are p...

FLASHBACK TO FORWARD

Today Aparajita Krishna is under the spell of stories of the past and present of Producer, Director Vinod Pande, Thespian MK R...

HIDAYAT SAMI: Spotlighted!

It’s Hidayat Sami who Aparajita Krishna meets today to explore his vast repertoire as an actor, director, light-designer...