Appealing to the young at heart: Kakababur Protyabortan

Srijit Mukherji’s new film appeals to the young at heart, with Soumik Haldar’s cinematography helping it tide over the narrative lu...

Reflections of a Soumitra-watcher

As the late, legendary Soumitra Chatterjee’s birthday moved in and out of focus, Monojit Lahiri pays homage to the remar...

To be a good artist, first be a good person.

Humra Quraishi revisits conversations with the danseuse Sitara Devi and writer Mani Sankar Mukherji and draws comparisons - th...

The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

Acting ke peeche kya hai?

The ever-charismatic Madhuri Dixit, in a flashback conversation with Khalid Mohamed on how she perfected the art of acting by ...

Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

Flight To Freedom

In his first letter to readers, Philosophy Coach, Consultant at Universal Enlightenment & Flourishing, Christophe Porot ex...

Facts about Indian Muslims

Humra Quraishi leans on facts and figures to draw a picture of the state of the Muslim community in India.

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Revisiting Mani Kaul’s Mini-series Ahmaq

Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam.

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