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POLITICS: PEOPLE WILL DEFEAT AMIT SHAH

Vinta Nanda spent two days with Sonal Patel and returns to tell us that the Congress Party’s choice to challenge Amit Sh...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

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BOLLYWOOD: FRANK & FEARLESS, GULZAR…UNCUT!

Monojit Lahiri recalls an amazing conversation with a dear, cherished and hugely respected friend of over 5 decades, Bollywood...

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FESTIVALS: KASHISH PRIDE FILM FESTIVAL UNVEILS NEW LOGO

KASHISH Pride Film Festival unveils its new logo and festival look! Mumbai based duo designed the logo, Bangalore based designer’s poster...

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FESTIVALS: THE LOKHANDWALA STREET-CORNER START-UPS

Today, Siddharth Kak explores the by lanes of his neighbourhood to discover a variety of Indian food and snacks on offer by a ...

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POLITICS: INJUSTICES AND MISINFORMATION

Humra Quraishi comments on the troubling times lying ahead because accountability and transparency usually practiced by author...

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BOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS

As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...

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KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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