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ALTERNATIVE ENTERTAINMENT: A DEEP DIVE INTO THE SOUL OF CLAY
Kaul’s films were revelations even when the themes were well-known and had ancient roots, like dhrupad and pottery. He avidly hunted for ...
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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL
The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...
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TRENDING: IS APNA TIME AAGAYA HERE?
Monojit Lahiri focuses on this new movement triggered by OTT? relating to actors finally emerging from the tyrannical shadows ...
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POLITICS: FLASHBACK TO THE TIMES OF HINDUTVA
The influence of Hindutva politics on democratic and academic institutions in India has raised concerns about the erosion of secularism, threat...
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INDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR
In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...
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ACHIEVING CULT STATUS: MASSEY SAHIB
O.P. Srivastav brings Raghubir Yadav and Arundhati Roy's celebrated debut Massey Sahib, a 1985 Hindi drama, adaptation of Joyc...
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REMEMBERING THE UNFORGETTABLE SMITA PATIL
Manojit Lahiri pays tribute to Shyam Benegal’s smoldering discovery, the only Asian cine-star who had the honor of a Ret...
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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?
Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...
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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES
Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...
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DILIP KUMAR AT 101
Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...
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