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TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes,35 years after it lit India’s television screen and cinema, I am herei...

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TIMES THEY ARE A CHANGIN’ – FOR DOCUMENTARY FILMS

Vinta Nanda talks to documentary filmmakers, film festival directors, curators about the documentary films garnering more audi...

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DID PATHAN’S MONSTER SUCCESS DILUTE THE ‘CONTENT IS KING’ MANTRA?

Monojit Lahiri investigates the on-going discussion about what is ‘king’ – the content or the star, by takin...

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PREJUDICE, DISCRIMINATION, HATE, ELECTIONS, VOTES…

I cannot dare describe the poisonous propaganda unleashed by the Hindutva lobbies, the myths, misconceptions and twisted lies that are in circu...

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AGEISM, STEREOTYPING AND PAY DISPARITY IN BOLLYWOOD

While Bollywood, masters of tokenism, has occasionally tried to counter ageism and stereotyping, it has mainly played safe, distancing itself w...

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THURSDAYS OF FIRE, FRIDAYS OF STEEL

Humra Quraishi views the human rights violations that are piling up and asks how the leaders in the future will heal people fr...

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MADHURI DIXIT STARRER MAJA MA AT KASHISH 2023

The film Maja Ma will screen on Friday June 9th at 7:45 pm at Liberty Cinema with the cast and crew present for a Q&A, reports The ...

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CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28th Ma...

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ACTOR ADVAIT KOTTARY WRITES HIS DEBUT NOVEL

Advait Kottary’s debut novel SIDDHARTHA: THE BOY WHO BECAME THE BUDDHA takes readers on a fictional journey through Buddha’s formative years, reports Th...

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THE CURIOUS CASE OF BOLLYWOOD AND POLITICS

One’s been listening to viewers of The Kerala Story. The common refrain is, “Ye picture dekh kar Musalmano se darr lag raha hai! (A...

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