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Rambha Ho: Never Say Never

“Who says I have quit forever”, asks the screen sensation of unforgettable dance numbers, Kalpana Iyer, in a chat-fest with film hi...

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Best Photographs of 2021

Khalid Mohamed, inspired by a selection of the award-winning photos from National Sony World Photography 2021 competition, wri...

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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The Missing Documentary

Khalid Mohamed writes on his documentary on the superstar cinematographer, Ashok Mehta, which ...

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Not time-pass. Lockdown is time well spent

Senior professionals from various fields talk to Monarose Sheila Pereira about how they have honed various skills during the p...

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As a year goes by

Khalid Mohamed remembers the super actor and always-supportive friend, Rishi Kapoor, on the event of his first death anniversa...

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Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Climates: A metaphor for changing human behavior

Since the time of Ataturk, Turkey has been home to westernized intellectuals, writes Sharad Raj ...

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Just another brick in the wall

Niraj Jani, rock music enthusiast, writes on Pink Floyd’s cautionary songs about the constant vigil for intellectual fre...

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Days of the future past: Subhashini Ali

Subhashini Ali recalls a time when she saw the role of the police and administration with clarity and how she was convinced of...

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