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Hiralal: A rare biopic on a pioneer of Indian cinema

The fascinating life of Hiralal Sen probably needed more visual flair, writes Shantanu Ray Chaudhuri

Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

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Where art thou?

Khalid Mohamed in conversation about the limitless forms of art with the 23-year-old artist, Adyot Rajadhyaksha, who debuted a...

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Awareness Campaign: Gender Based Violence

The Centre for Women Studies, Maulana Azad National Urdu University (MANNU) Hyderabad, in collaboration with CDPP, Hyderabad, held webinars on 'Awareness Campaign for Elimi...

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India flattens curve, but precautions are a must

Dr. Kishore Madhwani writes on the flattening of the COVID-19 graph in India, and emphasises that COVID Appropriate Behaviour ...

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Such a wonderful journey!!

Film historian Dhruv Somani, a self-confessed admirer o...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wak...

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Pause for a cause

Khalid Mohamed thumbs up the cautionary Unpaused, checks out the complicated crime thriller and gives up on a dithering bid to take over  Casino: My G...

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My city, my friend

Khalid Mohamed in a chat fest with Harshad Rajadhyaksha, Chief Creative Officer at the Ogilvy ad agency, on his passion for st...

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