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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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DILIP KUMAR AT 101

Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...

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BOLLYWOOD TIK-TALK: THE COFFEE TABLE BOOK ABOUT THE BACHCHANS IS THE TALK OF TOWN

It’s SMM Ausaja’s book, The Bachchans, accolades for Emraan Hashmi for his performance in Tiger 3, Urvashi Rautela, Georgia Andrian...

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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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UNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA

When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...

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GAIETY-GALAXY: & THE BLACK MARKET

Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...

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THE NEED OF THE HOUR: TUSHAR ARUN GANDHI

In this interview with Tushar Arun Gandhi, Vinta Nanda probes his mind to understand the dangers lying ahead and what are the ...

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