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JAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED

“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...

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SALUTING SATYAJIT RAY’S UNIQUE HEROES

Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, specia...

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MUJIB: THE MAKING OF A NATION

The  much-anticipated biographical epic delves into the life of Sheikh Mujibur Rahman, the towering political figure of Bangladesh. &ldquo...

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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

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WIPING THE DIRT FROM THEIR HANDS AS THEY WALK FROM THE GRAVE

“All that ordinary people across the globe want is peace and dignity, the right to live in their homeland,” writes Humra Qu...

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THE STORYTELLERS AND MUCH MORE

“Powerful words of two stellar artists, Zen Dot and Dini Parayitam, have stitched together this fabulous interview, which clearly mirrors...

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INNOCENT UNTIL PROVEN GUILTY OR GUILTY UNTIL…

In these dark, stifling times, my thoughts go to many of the imprisoned citizens of India, most of them undertrials, writes Humra Qurai...

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IMPUNITY FOR ABUSERS, PUNISHMENT FOR VICTIMS

Comments of the BJP MP from South Delhi made in the Lok Sabha during the special session in the new parliament building, reveal the utter decay...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

A BEFITTING SWANSONG

This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan

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